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The Church of the Good Shepherd
began in October 1888 as a mission chapel sponsored by Christ Church. The
mission continued for 17 years at its South Broadway location, but in 1906 the
chapel was taken down and moved to a new location on Maxwell Street to
accommodate increased membership and attendance. However, disaster struck on
the night of January 1, 1918, when a fire destroyed the chapel and most of its
records. The electricity had not been cut off and the lighted cross atop the
church burned until the walls fell in. With the proceeds from the sale of the
lot, the insurance and fire settlement, and donations from many local people, a
new lot was purchased on the corner of Main Street and Bell Court, the church’s
current location.
The story of the modern Church of
the Good Shepherd is the story of a man and his dream. The man, the Rev. Thomas
Lever Settle, was a native of England who had come to Lexington in the post
World War I era when work was being resumed on the construction of the parish
house. Mr. Settle found John Rump,
another Englishman, who agreed to go ahead with the building, donating his
services and making his own plans for the building as he went along.
The Bishop Burton Parish House,as
it was variously called, was dedicated on February 1, 1921, and at the request
of the congregation Christ Church Cathedral recognized Good Shepherd as an
independent congregation. Mr. Settle, however, had a bigger dream of a
beautiful stone church, and eventually he found a way to realize this dream. In
1923, there was much agitation throughout the Bluegrass over a bill introduced
in the Kentucky Legislature to abolish pari-mutuel betting. At one of the mass
meetings Mr. Settle spoke staunchly against the proposal, arguing that
pari-mutuel betting was a fairer way of gambling than the bookmaking that would
surely follow. He reasoned that enactment of the proposal would drive the horse
industry out of Kentucky. Mr. Settle was asked to repeat his eloquent and logical
speech before the Kentucky Legislature. He did so and the measure was defeated
by one vote.
Over the five year period that
followed, commencing in July 1924, the horsemen raised nearly $200,000 to build
a church in demonstration of their gratitude to Mr. Settle. Contributions came from all over the
country—from Roman Catholic, Jewish, Protestant, and Moslem horseman, from
owners and breeders and exercise boys.
On a plaque in the narthex of the
Church are these words:
To the glory of God
this Church is given
To Him by the lovers
of the horse from all
Over the country as
a token of appreciation
Of their Father’s goodness to His
children–man
The Bishop
of the time, Bishop Burton, laid the cornerstone on August 20, 1925, and a year
later the church building, complete with pews, was turned over absolutely free
of debt. However, Mr. Settle was still not satisfied. Unknown to the
congregation, he went deeply in debt, a debt the church would also inherit,
when he ordered the intricate rood screen and the wood carving by Anton Lang of
Leonardo da Vinci’s “Last Supper” and other works. He also ordered the
elaborate stained glass windows crafted of 200-year-old German glass, as well
as a pipe organ costing $10,000. When Mr. Settle departed Lexington in 1930, he
left Good Shepherd with a large debt that took over 20 years to liquidate.
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1867
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Mission Established
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December 30, 1887
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The Chapel of the Good Shepherd dedicated at 303 South
Broadway by Bishop Dudley
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February 28, 1907
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The Chapel of the Good Shepherd dedicated on East Maxwell
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October 4, 1920
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Bishop Burton deeded East Main Street property to Good
Shepherd
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February 1, 1921
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Good Shepherd becomes a parish
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1923
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The Rev. Settle helped defeat a bill in the legislature to
abolish pari-mutuel betting
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July 1924
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The Thoroughbred Horse Association of Kentucky established
a fund to build the present building the Church of the Good Shepherd
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August 30, 1925
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A cornerstone of the present church is laid by Bishop
Burton.
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August 8, 1926
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The first service at the present church
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October 1, 1950
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The Rev. T. Clarke Bloomfield became Recotr.
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1952-1966
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The Church of the Good Shepherd home to the Episcopal
Theological Seminary in Kentucky
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October 7, 1953
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Debts of the church are paid and the Church of the Good
Shepherd is consecrated
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September 1958
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The Good Shepherd Day School opened
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1977
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The Vestry established the Restoration Fund with a goal of
$150,000
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November 30, 1983
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The Rev. Tim Scott became Rector
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July 11, 1989
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The Shepherd’s House opens.
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February 1993
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Shepherd’s House opens an addition on Linden Walk
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January 1, 1994
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The Rev. Robert Sessum becomes Rector
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December 1995
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The Peal of Bells installed in the bell tower, and rang
for the first time on Christmas Eve
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September 15, 1996
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The celebration of the 70th anniversary of the
first services in the present church
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June 6, 1999
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Vision 2000 raises over 3 million dollars for the
renovation of buildings
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February 19, 2001
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Renovations begin
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June 2002
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Vision 2000 renovations completed
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2008
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Good Shepherd Day School celebrates 50th
anniversary
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The Last Supper carving
Over the altar in Good Shepherd is
a carving by Anton and Alois Lang of Leonardo Da Vinci’s fresco of The Last Supper. The original, considered by many the world’s
finest religious painting, was done between 1494 and 1497 on a convent
refectory wall as the Church of St. Mary of the Graces in Milan.
Stained Glass
Good Shepherd contains 39 major
stained glass windows, 35 inside the church proper. All of the figural windows,
except for the Abbot window facing Main Street, were made by the Von Gerichten
Studios. The Abbot Window was made by the G.C. Riardon Company. These
magnificent stained glass windows are particularly impressive on a sunny day.
Good Shepherd was built in the
traditional style of English Country Gothic and consists of three parts—nave,
chancel, and sanctuary. In the
sanctuary, the Rose Window high above the altar is a beautiful figure of Christ
with outstretched arms welcoming all to worship. The rest of the nave high
windows recall disciples, evangelists, and apostles, appropriately beginning
with Peter and ending with Paul. Each
one has a symbol relating to some aspect of his work or ministry or death.
On the High East Wall, the names
across the center of the windows include Peter, keys to the kingdom of heaven;
James the Greater, pilgrim’s staff and purse; Luke, ox, the animal of
sacrifice; Mark, the lion, for the ‘roar’ which begins Mark’s gospel;
Philip, the staff and cross for
missionary work; and Matthias, battle ax on book.
On the High West Wall are Thaddeus,
ship for his traveling missionary work; Matthew, purse, because he was a tax
collector; James the Lesser, saw, because of the way he was martyred; Thomas,
carpenter’s square and a spear, representing how he lived and died;
Bartholomew, knives, for the way he was martyred; Simon, book and fish, for
becoming a great fisher of men; Andrew, the X shaped cross; John, a chalice
with a serpent, as following Christ is often not easy or safe; and Paul, open
Bible and Sword of the Spirit.
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